Imagine owning a part of your favorite music festival. Sounds unreal, right? Well, the Same Same But Different Festival at Lake Perris is turning that dream into reality.
The beloved Southern California event has just announced a groundbreaking community investment program, giving fans the opportunity to actually own a piece of the festival. Through WeFunder, anyone can invest for as little as $100 and become a part of the SSBD story.
This move makes Same Same But Different one of the first U.S. music festivals to open ownership to its fans—a bold step that’s already turning heads in the live music world.
“By opening ownership to our community, we’re ensuring SSBD grows with the people who made it possible and keeps its spirit independent for years to come,” shared co-founder Brad Sweet. His statement perfectly sums up the festival’s mission: to grow creatively, without losing its independent soul.
But there’s more than just bragging rights on the line. Investors can look forward to exciting perks like annual investor meetups, exclusive backstage access, and even lifetime VIP passes for top-tier backers. On the festival’s end, this fan-driven funding will help upgrade infrastructure, expand immersive experiences, and strengthen SSBD’s independence in an industry increasingly dominated by corporate takeovers.
The results so far speak volumes. The festival boasts a 40% fan retention rate, a 17% year-over-year growth, and a sold-out 2025 edition. Even before going public, early private offerings from loyal attendees have raised over $368,000.
With this new investment model, Same Same But Different isn’t just throwing a festival—it’s building a movement. One where fans aren’t just part of the crowd, but part of the ownership.
Ready to join in? You can invest and learn more on their official WeFunder page: wefunder.com/ssbd.
The Same Same But Different Festival is proving that music festivals can evolve while staying true to their roots. By turning fans into co-owners, SSBD is redefining what community means in the live music industry. This might just be the future of festivals—one investment at a time.